#MODO 801 LOW POLY MODELING HOW TO#

Maya has an automatic mode that just works, modo has similar modes called atlas that for a large part of the time don't. Only way I could find to stop that was to only create rgb images and not with alpha. What happens is the falloff of the brush messes up and I just get solid disks inside of a nice brush. More time waste bringing them back in photoshopД¬reating an image with an alpha in modo for painting causes a load of issues in that I can't actually paint until I take it back into photoshop and floodfill it a solid colour. Same for all the painting, the colours are not the ones I picked. Surely I shouldn't have to arse about with Alphas in Modo if I flood fill a colour from within Modo and save it. Modo also got some serious memory leaks and often I have to shut it down as Modo has 99% of the memory ( and were it lags ).Д¬reate a new image, fill it with a colour save and open in photoshop - the image is washed out. Lag happens all the same in viewports are just wireframe or shaded Double click to change the gamma of an image - lag, select item lag, go to rotate a viewport lag, select off an item Lag ( CPU ramps up to 30% and modo does it stuff ).ДЇirst stroke of a paint is impossible after a certainly count and using the program is a drag, I changed over one of the machines to mid range nvidia cards and ATI and still the same. Been using it on two of them but same results, once it gets to say reasonably sized subD model ( though 600k can cause it ), the UI just freezes for 12 - 15 seconds on selecting anything. I have fast PCвЂ™s been doing dev work for long enough to know don't have slow kit. Lag, Lag, Lag to the point of frustration and time waste. So before I stop wasting any more dev time I thought I would ask some questions as Modo does not have the best of UI experiences ( and I have pretty much used them all at sometime). Recently, I have changed things up a little and have been working at The Digital Animation and Visual Effects School as one of the Modeling and sculpting instructors working with Modo and Maya as well as Sculpting with Zbrush.ДЄll cmiVFX videos come with all the training materials you need right from our website.I am currently having some serious issues with Modo indie that has me on the verge of moving back to Maya or investing more time into blender :-o Last but not least, I have been doing some custom Modo training for Skullcandy lately, helping with various modeling aspects of their pipeline. I have also been involved in creating a few tutorials for 3D artists and beginner courses that cover The Foundry's Mari texturing program which are located in The Foundry's Mari learn section. I've worked with quite a few companies in the past including Strike Anywhere films, Spacejunk Studio, CoreLegal Concepts, and Skullcandy. We will wrap up this section by setting the camera and the environment, and then it's off to rendering.ДЇor the past 6 years, I have been working as a freelance artist specializing in hard surface assets.

#MODO 801 LOW POLY MODELING HOW TO#

I will also show you how to add a custom hood stripe to add a little punch to the car look. Here I will go over setting up materials so we can get to them. We will be wrapping up a few areas and getting ready for materials and rendering. We will also go over the pros and cons of using displacement maps for this task. Within this chapter we will learn how to model a high-poly, Sub-D tire. In this case, we will model a 2015 version for this iconic car. In this chapter I will go over the process I use to model any rim. Some of the shape in the body panels will also be further defined. In this chapter we will start modeling all of those great little details. We will wrap up this chapter by completing all the major areas, and by the end, we will have a solid, clean sub-divide mesh. I'll also go over some 'do's and don'ts' that you should keep in mind when using this approach.ДЇrom here we will begin to break up the base mesh into separate panels which will further define the shape. Now we can begin to block out our low-poly base mesh for the car body, which will end up being Sub-D in the end. We will bring in the reference images and make sure everything is set to real-world scale. Within this chapter we will go through setting up our scene. To start off we will prepare our reference images to ensure we get a good base to work off of within Modo. We will top it off by setting up materials for the final render scene. Throughout this tutorial, you will learn how to block in the basic shapes of modeling the body panels, rims, tires and more. In this tutorial we will cover efficient modeling techniques to create a production-ready car model.

Modo 801 low poly modeling